Tag: organ

  • I had a great time recording for blues artist Alex Carter last month, and Alex’s new single ‘Blue Boy’ is out now on all digital platforms – including Spotify, Amazon and Apple Music.

    All the drums and organ parts for ‘Blue Boy’ were recorded ‘remotely’ here at my studio, before the track was mixed by record producer Chris Barwise.

    I’m really happy with the overall sound and vibe I achieved in the studio – capturing Alex’s ‘raw, classic blues sound’ inspired by artists like The Stones, Chuck Berry and John Lee Hooker – and I am proud to have contributed to this record.

  • I’ve had the privilege of recording both drums and organs on a new single from blues singer/songwriter Alex Carter in my studio this weekend.

    With a super cool, groovy blues vibe, I have really enjoyed getting stuck into this session and getting the tone and feel of the song just right – both in my playing and in the choice of cymbals and studio techniques. Plus the session was also another great opportunity to run organs through my vintage Sharma 2000 rotary cab, which is always very exciting!

    Keep an eye out for the finished single being released soon. I can’t wait for everyone to hear it!

  • More Sharma 2000 Modifications

    More Sharma 2000 Modifications

    The long-awaited follow-up to my original post from January 2020 on modifying a guitar amp channel footswitch to change the motor speed in a Sharma 2000 rotary cab is finally here! I will give a small précis of the 2020 post here, for context.

    The Sharma 2000 has a nine-pin Amphenol connector on the rear panel, and three of these pins are concerned with the speed of the rotary motor; grounding Pin 6 (ie. by connecting it to Pin 1, the ground pin) spins the motor fast, whilst grounding Pin 7 spins the motor slower (and with neither pin connected to the ground of Pin 1, the motor does not spin at all). I rewired a generic footswitch to use a TRS ¼” jack connector to change which pin was connected to the ground. Because I was doing these modifications in a bit of a hurry – just a couple of days before a gig on which I planned to use the Sharma rotary speaker – I left it at that. But I always planned to return to the project at a later point and finish the job.

    Despite all the unexpected free time afforded to me by lockdowns in 2020 and 2021, I only managed to return to complete this project within the last few weeks.

  • Sharma 2000 Modifications

    Sharma 2000 Modifications

    In November I achieved a small dream of mine, as a keys player – I bought a genuine old vintage rotary cab for gigs and sessions where I’m mainly playing Hammond organ-type parts. My studio setup has evolved so that I try to stay away from emulators, and capture the sounds of real hardware and genuine components, wherever possible. So to be able to record and play live with a real rotary speaker for that sweet bluesy organ tone was a really exciting prospect for me.

    The speaker I got is a Sharma 2000 – Sharma was a British firm which was a competitor to the famous American Leslie cabs during the ’60s and ’70s. It maybe a lesser-known brand, but the Sharma speaker still sounds just like the organ tone I’ve always wanted from my playing, and put a huge grin on my face from the first moment I sat down to play organ through it. (I’m playing it from my workhorse Nord Stage 2 keyboard setup as a B3 emulator – you can’t avoid emulators altogether! – but with the Nord’s built-in rotary function switched off.)

    The Sharma speaker has the same 9-pin Amphenol connector you get on Leslies which carries input signal, volume information and various other program-change style controls.

  • Another line video from Sam Coe’s album launch night, which I played keys for back in November.

    Comeback Queen is the title track of the album, and was the closing song of the night at Epic Studios. Such a fun piece of music to play, and a wonderful group of musicians to play it with! We all got a chance to go a little mad at the end of this one, too…

    Video shot and edited by Sam Thurlow.

  • A massive thank you to Gordon Woolcock for these amazing photos from Sam Coe’s Comeback Queen Album Launch night at Epic Studios in Norwich last month.

  • Check out the first video from the Sam Coe album launch show at Epic Studios on Thursday last week… ‘Hard Time’ was the first single released from the record, and also our opening song of Sam’s set on the night. It’s a big, gritty country/rock anthem which is tons of fun to play on keys! Looking forward to being able to share more pictures and video footage from this gig very soon.

    Video shot and edited by Sam Thurlow.

  • Sam Coe Album Launch

    Sam Coe Album Launch

    After working with Sam Coe for the first time at That Music Thing at Epic Studios last week – a gig which was very favourably reviewed – I am delighted that I’ll be back playing keys and organs for her again at the launch of her brand new solo album, entitled ‘Comeback Queen’.

    Redefining British Country Music, Sam Coe sheds a new light on the musty, tinged world of traditional country. Raw, gritty and honest. No pretence, just her gutsy truth colliding with the music. Following previous critical acclamation and success as both a solo artist and with her band, The Long Shadows, 2019 sees Sam Coe heading in a fresh musical direction. Ready to start a new UK Country scene that draws upon, rather than tries to replicate, the American scene we know and love, Sam wanted to embrace being an unashamed British artist, and bring some sincerity and soul to the UK industry. Heading back into the studio, she began recording her debut solo album under label GingerDog Records. Influenced by the sound of throwback instrumentation like the Fender Rhodes, the new record is heavily piano driven, while combining tremolo guitars, hammond organ and her beloved Gibson with an emotional and raw vocal.

  • It may have been made eighteen months ago… But the inaugural Jamie Roe Band EP – ‘Reach For The Tide’ – is finally available online!

    The four track EP showcases some of the early songwriting work of the band, and was recorded at Tide’s Reach Studios in Lowestoft.

    I am contributing piano, organs and backing vocals on all four songs.

    Click here to buy ‘Reach For The Tide’ on iTunes. Or listen to the tracks on Spotify, below:

  • Lucan Mills’ brand new EP ‘Level’ is out now 1 on iTunes, Amazon, Spotify, etc. I am proud to have contributed piano, organ and synth parts to this collection to exciting new hip-hop tracks.

    Level 1 – Lucan Mills
Kit Marsden // Musician