Barely seems like a week ago that we were playing Ultra ’90s at the iconic Boston Gliderdrome… In fact, it was late February – and it’s now the start of April! Where does the time go?
Still, what an absolutely fantastic gig to look back on now! To play at a venue with so much history – and such an incredible atmosphere – is definitely something which stays with you.
As ever, huge thanks to everyone who came out to the show, and to our brilliant photographers who captured the totally electric feeling of the night wonderfully. So here is a selection of some of my favourite images from the Gliderdrome.
A few of the great pictures from three consecutive nights of Ultra ’90s Fresh at the ’90s Weekender at Hunters Quay in Argyll. All photos by Ken Clark.
Pictures from Saturday night’s sold-out gig at The River Rooms in Stourbridge – on keys and vocals with Ultra ’90s, in preparation for the launch of Ultra ’90s Jam this coming weekend…
I have played drums for Ultra ’90s almost since the show’s inception in 2008 – and more recently, I have played percussion with the new Ultra ’90s Fresh lineup as well. However, with the popularity of Ultra ’90s expanding quicker than ever, I am very excited to have been offered the chance to take on a new role, leading yet another lineup as an MD, keys player and vocalist.
So despite playing hundreds of Ultra ’90s gigs on drums, I am spending four days this week at Thatspace in Rochdale with Chris and Kelly from PX Productions, relearning the set on keys and programming my synth rig with the correct sounds and samples – plus developing new skills, including working in Chamsys to patch and programme lights, and rapping!
The rehearsals are long days – there is a lot to get through in a ninety-minute show packed with high-energy ’90s dance classics – but I am relishing the chance to push myself to be better and become and more versatile, more well-rounded musician with a plethora of skills to offer.
I will still being gigging with Ultra ’90s and Ultra ’90s Fresh as a drummer and percussionist this coming year as well, but I am enjoying seeing the show from a new angle, and I’m looking forward to the opportunity to gig a set I know well in a totally different way.
Obviously, I never pass up an opportunity to play Mozart…! But it’s always fun to play orchestral repertoire – particularly when directed by a dynamic, ambitious young conductor like Harry Castle.
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