Tag: recording

  • Following the release of singles ‘Blue Boy‘ and ‘Last Warning‘, Alex Carter’s full album ‘Call It Rock And Roll’ is finally out on all platforms.

    Featuring my drums recorded at my studio on five of the eight tracks, and piano on one, the album is available on Spotify, Amazon and Apple Music. Mixed and mastered by Chris Barwise.

  • The second Alex Carter single I have recorded on drums at my studio. Mixed and mastered by Chris Barwise.

    Look out for more new music from Alex Carter coming soon!

  • I had a great time recording for blues artist Alex Carter last month, and Alex’s new single ‘Blue Boy’ is out now on all digital platforms – including Spotify, Amazon and Apple Music.

    All the drums and organ parts for ‘Blue Boy’ were recorded ‘remotely’ here at my studio, before the track was mixed by record producer Chris Barwise.

    I’m really happy with the overall sound and vibe I achieved in the studio – capturing Alex’s ‘raw, classic blues sound’ inspired by artists like The Stones, Chuck Berry and John Lee Hooker – and I am proud to have contributed to this record.

  • I’ve had the privilege of recording both drums and organs on a new single from blues singer/songwriter Alex Carter in my studio this weekend.

    With a super cool, groovy blues vibe, I have really enjoyed getting stuck into this session and getting the tone and feel of the song just right – both in my playing and in the choice of cymbals and studio techniques. Plus the session was also another great opportunity to run organs through my vintage Sharma 2000 rotary cab, which is always very exciting!

    Keep an eye out for the finished single being released soon. I can’t wait for everyone to hear it!

  • 19% Off All Remote Recording

    These are extremely uncertain times for everybody in the music industry. With gig cancellations the norm right now, I am attempting to maximise the amount of work I can do from home – and to help other musicians and producers get what they need…

    studio_promo_covid19 sm

    So for at least the rest of this month, I am offering an appropriately specific 19% off all remote studio work – whether recording sessions on drums, percussion or keys, or mixing or production packages.

    If you or anyone you know is looking for remote studio work at a good price during this difficult period, please do get in touch.

  • I was recently asked whilst chatting with a colleague of mine in music tuition “What first got you interested in music production and recording?”

    I’d never really thought about that. But it was certainly an intriguing question, and I thought about it a deal more over the next few days. I realised the reason I hadn’t considered that before was that it had always felt like a perfectly natural thing for a working musician to be be involved in. Almost like asking a taxi driver what first got them interested in steering.

    The music world is becoming more digital – more online – all the time. In fact, you can remove the word ‘music’ from that statement altogether. Technology is a fact of life in every business, including ours.

    I like to think that, throughout my career, I’ve tried to take the approach that if somebody asks you to do something which you don’t currently do, you can choose to turn it down and stay in your little niche – or you can choose to learn how to do that thing, and expand your skillset and add another string to your bow. You never know where that might take you.

    When I was asked to run a line-up of Ultra ‘90s a couple of years ago, I knew nothing of programming lights for stage, nothing about DMX, or MIDI control of DMX – but I took it on, and I learnt. Now I’m doing lighting hire gigs for other people – for gigs or events where I’m not even playing at all. And I’m programming the MIDI-triggered lighting cues for other artists and other shows, like Jade MayJean’s performance at O2 Academy in Islington earlier this year. Looking back to 2017, none of those opportunities would have come my way if I hadn’t chosen to branch out into new areas, and say yes to something which – at the time – I knew very little about.

    I’ve always been of the opinion that musicians have to diversify to survive. In such a famously ephemeral industry, the ability – the willingness – to adapt and grow to meet new challenges can often be what determines success. These days, being a musician without at least a rudimentary understanding of sound technology and the attendant processes is not dissimilar to being a footballer who can’t head the ball.

    Which is not to say that people who have no interest in this side of things can’t be very fine musicians. But personally, I have always tried to be as well-rounded and versatile a musician as I can be; I would feel the same way about being unable to sightread, or unable to improvise, or unable to tune my drums properly…

    Of course, it helps that I have always been a gearhead. I have always been interested in the technological side of things, in computers, and in how things work. I can see how recording studio work – or live performances to click and track, etc. – might not appeal to everybody as strongly.

    From its humble beginnings years ago, literally mixing inside a cupboard at my dad’s house, building my own recording studio into what it is now – and honing the tools and the skills to make it another significant and worthwhile area of my business – has become a labour of love for me.

    But in short, I guess the answer is ‘out of necessity’.

  • New Studio Open For Business

    New Studio Open For Business

    You may have noticed that the Studio page of this site has been down for the last couple of months – with just a placeholder image teaser and no information… I was hoping to have everything completed before now. But things get in the way! However, the last few months have seen some pretty radical changes in my little studio space, and I am so happy with how it’s all coming together that I am very excited to reveal the new look to you all.

    My workspace has expanded, and now fills a little alcove one side of the chimney breast. I have a wonderful new desk to sit and work at; this desk was custom-built for recording studios by my friend and colleague (another Ultra ’90s drummer!) Curtis Aaron, with built-in racking for studio rack gear and a large surface area to work on. The addition of an external GPU has allowed me to move to a three screen setup when working at the computer, giving me extra flexibility for working on studio projects. And the mix position has been treated with acoustic sound absorbers and bass trapping (also made by Curtis) to help me to get the best-sounding mixes possible.

    My 40-channel Soundcraft MH3 analogue console has become the hub of the whole studio – not just for audio input but also during the mixing stage, allowing me to make the best use of my high-end analogue outboard effects units, like the Neve 33609 stereo compressor.

    And a fully acoustically-treated sound booth for live recordings – built by my ever-resourceful neighbour Glen ‘Woody’ Jordan from natural materials, and fitted with high-end acoustic foam cladding and corner bass cone – has been installed in the other half of the room. With sixteen audio inputs inside the booth, and separate headphone mixes available both in the booth and in the control area, the new setup can comfortably accommodate recording a drumkit or small ensembles playing or singing together.

    With a wide selection of the highest quality microphones, a variety of vintage and analogue synthesisers, outboard compressor and graphic EQ units, an acoustic upright piano, a 4.2-octave concert marimba and a range of drumkits and cymbals all available to work with, I am extremely proud of the recording and mixing setup I have assembled here in the heart of rural Norfolk. (A full gear list is available on request.)

    With the refit nearing completion, the studio is now available to hire at a competitive day rate. Whether you’re a songwriter or composer looking for ‘remote’ sessions on keys, drums or percussion; an artist or a band looking for somewhere to record; or a fellow producer needing a space to work in… Please feel free to contact me to discuss bookings.

  • A few months ago, I had the pleasure of recording an original song in my studio; Lady Will You Be My Friend is a song from the debut novel On The Edge by retired Norfolk GP Tony Ashman – the song appears in the text of the book, and is sung by one of the main characters at a pivotal point in the plot. Without giving too much away, the song has quite an impact on the narrative!

    Because the character in the book is a guitarist and singer, I was able to ask my friend James Porter to play guitar on the session at my studio in Norfolk. I then sang the track, and mixed it.

    The finished track is now available to listen to on YouTube here:

    https://www.youtube.com/watch?v=NIXPTy_EC_I

    On The Edge is published by Paul Dickson Books, and is available to buy from the publisher direct or on Amazon.

  • Lack Of Updates

    Lack Of Updates

    I don’t generally make ‘New Years resolutions’ – but one thing I did want to do as of the start of this year was to update this page more, and be more active here. So far, not so good…!

    So what has been going on? Lots of work with Sistema in various local schools, which I am still enjoying and finding really rewarding. And lots of gigs with Ultra ’90s – in all it’s various flavours (Original, Fresh and Jam), both on drums/percussion and as a keys player and MD.

    And in between all of that, we have had the eleventh annual Keyboard Camp this year, just one week ago. (More on that in a later post…) And I have been trying to get my studio setup and fully functional at my new house!

    Beginnings of the new studio
    Beginnings of the new studio

    Having moved house at the end of summer last year, it has taken a little while to move all my gear across and start to get myself familiar with the new studio space. The big plan for this year is to get my recording work properly up-and-running, so I am going to try and start pushing that online a little more as I get everything finalised. Expect pictures and sound clips from the new studio sometime later this year!

    Soundtrack recording session on marimba
    Soundtrack recording session on marimba

    There are also a few other exciting gigs and other opportunities coming up soon, which I shall be writing more about due course. I am currently writing this in a Costa just off the M5, on my way to another run of gigs in Devon on drums with Ultra ’90s – I’ll be home on Thursday night for a day or so, before heading straight back out on the road.

    And as the year goes on, I hope that I’ll be able to stick to my ‘non-resolution’ of writing here more – and uploading ‘on-the-go’ a bit more! And, most importantly, that I’ll keep playing, keep teaching, and keep learning.

  • Recording samples of real analogue bass synth sounds from the iconic Moog Voyager and Moog Little Phatty synthesizers in the studio last night, for use in live shows and sample packs.

Kit Marsden // Musician