Month: October 2019

  • New Studio Open For Business

    New Studio Open For Business

    You may have noticed that the Studio page of this site has been down for the last couple of months – with just a placeholder image teaser and no information… I was hoping to have everything completed before now. But things get in the way! However, the last few months have seen some pretty radical changes in my little studio space, and I am so happy with how it’s all coming together that I am very excited to reveal the new look to you all.

    My workspace has expanded, and now fills a little alcove one side of the chimney breast. I have a wonderful new desk to sit and work at; this desk was custom-built for recording studios by my friend and colleague (another Ultra ’90s drummer!) Curtis Aaron, with built-in racking for studio rack gear and a large surface area to work on. The addition of an external GPU has allowed me to move to a three screen setup when working at the computer, giving me extra flexibility for working on studio projects. And the mix position has been treated with acoustic sound absorbers and bass trapping (also made by Curtis) to help me to get the best-sounding mixes possible.

    My 40-channel Soundcraft MH3 analogue console has become the hub of the whole studio – not just for audio input but also during the mixing stage, allowing me to make the best use of my high-end analogue outboard effects units, like the Neve 33609 stereo compressor.

    And a fully acoustically-treated sound booth for live recordings – built by my ever-resourceful neighbour Glen ‘Woody’ Jordan from natural materials, and fitted with high-end acoustic foam cladding and corner bass cone – has been installed in the other half of the room. With sixteen audio inputs inside the booth, and separate headphone mixes available both in the booth and in the control area, the new setup can comfortably accommodate recording a drumkit or small ensembles playing or singing together.

    With a wide selection of the highest quality microphones, a variety of vintage and analogue synthesisers, outboard compressor and graphic EQ units, an acoustic upright piano, a 4.2-octave concert marimba and a range of drumkits and cymbals all available to work with, I am extremely proud of the recording and mixing setup I have assembled here in the heart of rural Norfolk. (A full gear list is available on request.)

    With the refit nearing completion, the studio is now available to hire at a competitive day rate. Whether you’re a songwriter or composer looking for ‘remote’ sessions on keys, drums or percussion; an artist or a band looking for somewhere to record; or a fellow producer needing a space to work in… Please feel free to contact me to discuss bookings.

  • Sam Coe Album Launch

    Sam Coe Album Launch

    After working with Sam Coe for the first time at That Music Thing at Epic Studios last week – a gig which was very favourably reviewed – I am delighted that I’ll be back playing keys and organs for her again at the launch of her brand new solo album, entitled ‘Comeback Queen’.

    Redefining British Country Music, Sam Coe sheds a new light on the musty, tinged world of traditional country. Raw, gritty and honest. No pretence, just her gutsy truth colliding with the music. Following previous critical acclamation and success as both a solo artist and with her band, The Long Shadows, 2019 sees Sam Coe heading in a fresh musical direction. Ready to start a new UK Country scene that draws upon, rather than tries to replicate, the American scene we know and love, Sam wanted to embrace being an unashamed British artist, and bring some sincerity and soul to the UK industry. Heading back into the studio, she began recording her debut solo album under label GingerDog Records. Influenced by the sound of throwback instrumentation like the Fender Rhodes, the new record is heavily piano driven, while combining tremolo guitars, hammond organ and her beloved Gibson with an emotional and raw vocal. Influenced by artists such as Brandi Carlile, Margo Price, Larkin Poe, First Aid Kit, Bonnie Raitt, Patty Griffin and Emmylou Harris, Sam’s songwriting reflects 33 years of her self-confessed ‘shit storm’ of a life. Struggling to achieve the next step both personally and musically and striving to leave her mark on the world. ‘If you get to the end of the line and look back, I would hate to feel like I had any regrets – have fun, chase every adventure, leave your legacy.’

    The album release show will also be at Epic Studios in Norwich, and takes place on Thursday 28th November. Tickets are available from Epic, or online. It will be great to see as many people down at Epic for this show as possible, so I hope to see you there! In the meantime, here’s a few great snaps by Gordon Woolcock, from the last gig I played with Sam…

  • I am very excited that I will be playing drums with Jade MayJean and her band for the big Christmas Lights Switch-On event in Ipswich town centre on Thursday 21st November this year.

    Jade and the band will be performing a mixture of original songs from Jade’s album 20Sixty and classic Christmas crowd-pleasers from five o’clock on the main stage outside the Town Hall & Corn Exchange.

  • In September 2011, I wrote about how proud I was to have joined an El Sistema-inspired music education programme in my home city of Norwich, working with students in inner-city schools teaching orchestral percussion an general musicianship. The project — then called In Harmony Norwich — was one of three trial nucleos setup by the UK government in different cities, and was just entering the third of its three years of funding when I came on board as one of the percussion tutors.

    A lot of change has happened in the years since I joined the programme back in 2011 — including a rebrand as Sistema In Norwich. But the one thing which has always remained the same is the steadfast determination of the programme directors and the team of tutors to bring music education to children who might not otherwise have had those kinds of opportunities available to them.

    This coming Friday 11th October, a performance by Sistema In Norwich students and tutors at the University Of East Anglia In Norwich will celebrate ten years of Sistema’s presence in the city. I feel extremely honoured to have been involved with Sistema In Norwich — in its various guises — for eight of those ten years, and it will be a privilege to walk onstage on Friday evening with my colleagues and students from the Sistema programme to celebrate this landmark anniversary.

    Sistema Fiesta will take a look back over the last ten years, including highlights from the Performance Project (for which the concert is also a finale) and it will look forwards, with new repertoire that will include nods to Venezuela, our carnival work, East Anglia and a big piece from the classical canon.  The concert will feature the Colegate Nucleo Orchestra, alongside children from across the programme, tutors and some special guests.  
     
    The evening will conclude with music from the Sistema in Norwich tutor band, guests and friends. Join in the Sistema party and help us celebrate a programme that is changing lives, as we look forward to another 10 years of making a difference.

    From the NORCA & Sistema In Norwich website

    Please do come down and support this event, and the Sistema In Norwich project. Tickets for the performance are available from the UEA Box Office website, or directly from NORCA & Sistema In Norwich.

Kit Marsden // Musician